Mary Shelley’s “Frankenstein” (1818) is one of the most influential artistic creations of the last two centuries.
At 7 p.m. Sunday, Oct. 29, the Washington University Symphony Orchestra will present three world-premiere student compositions, inspired by Shelley’s book, in the 560 Music Center’s E. Desmond Lee Concert Hall.
“North,” by junior Andrew Savino, is structured as a series of fragments, reflecting the disjointed memories that pass through the minds of both doctor and monster as they make their final Arctic journey.
“The dissonant effect in the strings at the beginning creates a wind-like mood, establishing the setting of being in a cold environment,” Savino notes in his composer’s statement. “From here, the main theme is heard, and warped through the rest of the piece.”
“Dialogue,” by junior Ethan Evans, captures the interaction “between the piano and orchestra, between dark and light themes [and] between the colliding worlds of classical music and film scoring.”
“The Frankenstein Suite,” by sophomore Cole Reyes, consists of two movements. “The Creator” evokes “a tormented scientist deep inside his own thoughts,” while “The Monster” juxtaposes sweeping and aggressive harmonies to capture “the torment of intention versus reality.”
Rounding out the program will be “Tragic Overture” (1880) by Johannes Brahms; “Danse Macabre” (1874) by Camille Saint-Saëns; and Leopold Stokowski’s 1927 transcription of “Toccata and Fugue” (1703-07) in D minor by Johann Sebastian Bach.
The performance is free and open to the public and sponsored by the Department of Music in Arts & Sciences, in conjunction with the campuswide Frankenstein Project and the First Year Center’s Common Reading Program.
The 560 Music Center is located at 560 Trinity Ave. in University City. For more information, call 314-935-5566 or email daniels@wustl.edu.
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